Programme

Jeudi 19 juin

10h-12h / Panel 1

Chair : Naomi Toth (Université Paris-Nanterre)

Echoes of Roman Justice: Hearing out trials in Rome through spaces and words
Alexandre Vincent (Université Lumière Lyon 2)

Justice, Silence & Noise
Boris Bernabé (Université Paris-Saclay)

Law-Text Texts. Sound and the Parlance of the Law
Pierre Thévenin (ENS Paris Saclay / IRCAM)

14h-16h / Panel 2

Chair : Vincent Forray (École de droit de Sciences Po Paris)

What Wake Words Do: On the Jurisprudence of Machine Listening
James E.K. Parker (Melbourne Law School)

Attunement to the 'Other' in Law and Music
Sara Ramshaw (University of Victoria)

Vendredi 20 Juin

10h-12h / Panel 3

Chair : Jesus R. Velasco (Yale University)

Semiotics of Procedural Listening
Thibault Mechler (École de droit de Sciences Po Paris)

Hearing as a Judicial Faculty
Julia Chryssostalis (University of Westminster Law School)

Beyond Acoustics: Sensibility and Law
Maria Paola Mittica (Università degli Studi di Urbino Carlo Bo)

14h-16h / Panel 4

Chair : James E.K. Parker (Melbourne Law School)

Evidential Soundings
Susan Schuppli (Goldsmiths University of London)

Discussion with sound artist Joel Stern (Royal Melbourne Institute of Technology) and poet Frank Leibovici

Contact :

Pierre Thévenin: pierre.thevenin@cnrs.fr

Thibault Mechler: thibault.mechler@sciencespo.fr

Entrée libre sur inscription (dans la mesure des places disponibles)